| CHURCH MUSIC (CM)
CM 101 Basic Musicianship (3)
An integrated course dealing with the fundamentals of music,
such as common practice harmony, ear training, sight-singing,
and keyboard harmony.
CM 102 Advanced Musicianship (3)
An advanced study in music theory as a continuation of CM 101.
CM 110 Recital Lab (0)
Each church music student must take four semester of the
Recital Laboratory, which is attendance at local recitals
and lecture at least six times per semester.
CM 111 Piano Proficiency (0)
All church music students, except for piano majors, must pass a piano
proficiency examination.
At the least it must be completed prior to the student's
graduation recital.
CM 112 Vocal Proficiency (0)
All church music students, except for voice majors, must pass a vocal
proficiency examination.
At the least it must be completed prior to the student's
graduation recital.
CM 201 Western Music History (3)
A study of music development and a historical and critical
survey of various periods in western music history.
CM 300 Midwest Ensemble (3)
Midwest church music students' choral dedication for School
chapel services and other School activities. Required until graduation.
CM 311 Introduction to Music Ministry (3)
An introductory course on church music, covering the influence
of music, biblical and theological foundations of church music, worship
and music, hymnology, and contemporary Christian music.
CM 312 Introduction to Hymnology (3)
An introduction to the study of the development of hymnology
and gospel songs from Biblical times to contemporary hymnody; analyzing
hymns in biblical, theological, literary, and musical aspects, and
of their usage in the various ministries of the church, especially
in the corporate worship.
CM 313 Church Music Literature (3)
A survey of vocal and instrumental literature suitable for
the churches.
CM 314 Church Music Education (3)
A study of materials and methods used in leading children,
youth, and adult choirs through the music ministry.
CM 316 Church Music Practicum I (1.5)
A field-based course of practical application of music ministry
skills, providing the student leadership opportunities in a local church,
including worship planning, worship leading, and working with choirs,
ensembles, and instrumentalists.
CM 317 Church Music Practicum II (1.5)
Continuation of CM 316.
CM 401 Form and Analysis (3)
A study of various musical forms through analysis of representative
compositions for voice, choir, piano, other solo instruments, and small
ensembles.
CM 411 Applied Area I: Voice / Piano / Organ / Composition
(2)
In addition to the required private study, 30 minute private
music lesson, students will attend and participate in the third-year-first
term Sunday worship activities of the Midwest University Community Church.
The University Chaplain and course instructor will collaborate in the
determination of music assignments at the Community Church. The minimum
attendance required to pass this course is 10 Sunday per term.
CM 412 Applied Area II: Voice / Piano/ Organ / Composition
(2)
In addition to the required private study, 30 minute private
music lesson the student will attend and participate in the third- year-second
term Sunday worship activities of the Midwest University Community Church.
The University Chaplain and the course instructor will collaborate in
the determination of music assignments at the Community Church. The minimum
attendance required to pass this course is 10 Sundays per term.
CM 413 Applied Area III: Voice / Piano / Organ / Composition
(2)
Continuation of CM 412.
CM 414 Graduation Recital (3)
Preparation and presentation of an acceptable undergraduate
recital for thirty minutes.
CM 500 Midwest Ensemble (3)
Midwest church music students' choral dedication for School
chapel services and other School activities. Required until graduation.
CM 510 Philosophical and Historical Survey of Church
Music (3)
A study in music in worship on the biblical and historical
foundations with the goal of forming a comprehensive and balanced philosophy
for the appropriate use of music in worship today.
CM 518 Biblical Theology of Worship (3)
A study of worship in the Scripture, giving attention to
the development of a theology of worship that is based on the teachings
of the Bible, and its appropriate application for the contemporary
worship trends.
CM 523 Study in Korean Church Music (3)
CM 540 Introduction to Contemporary Christian Music (3)
CM 561 M.C.M. Applied Area I: Voice (2)
CM 562 M.C.M. Applied Area II: Voice (2)
CM 563 M.C.M. Applied Area III: Voice (2)
CM 567 Voice Literature (3)
Study of a specified area of vocal literature.
Problems of diction and interpretation.
CM 568 Voice Pedagogy (3)
The mechanism and physiology of vocal production.
Laboratory observation and participation.
CM 571 M.C.M. Applied Area I: Conducting (2)
CM 572 M.C.M. Applied Area II: Conducting (2)
CM 573 M.C.M. Applied Area III: Conducting (2)
CM 575 Choral Literature in Church Music (3)
A chronological study of choral music from the Middle Ages
to the present.
CM 576 Choral Conducting (3)
The elementary theory and practice of choral conducting.
CM 577 Instrumental Conducting (3)
CM 580 Instrumental Literature in Church Music (3)
CM 581 M.C.M. Applied Area I: Piano/Organ (2)
CM 582 M.C.M. Applied Area II: Piano/Organ (2)
CM 583 M.C.M. Applied Area III: Piano/Organ (2)
CM 587 Piano Literature (3)
An historical survey of literature for the harpsichord and
piano from the dates of their invention to 1827.
CM 588 Piano Pedagogy (3)
Procedures and materials from the first lesson through the
intermediate level.
CM 589 Organ Literature (3)
A survey of organ literature from early Renaissance to present.
CM 590 Organ Pedagogy (3)
An historical survey of organ instruction with emphasis on
the evolution of keyboard technique, performance practices, and current
organ instruction books.
CM 591 M.C.M. Applied Area I: Composition (2)
Private lessons in advanced composition stressing media and
forms used in church music.
CM 592 M.C.M. Applied Area II: Composition (2)
Continuation of CM 591.
CM 593 M.C.M. Applied Area III: Composition (2)
Continuation of CM 592.
CM 596 Choral Arranging (3)
Class instruction in arranging pre-existing material for
various vocal combinations with and without accompaniment.
CM 599 Instrumental Arranging and Transcription (3)
Writing for specific instrument pieces of limited scope which
are performed and reviewed.
CM 601 Church Music Administration (3)
A course dealing with the students leadership skills in organizing
the music ministry in a local church, giving attention to practical
aspects in ministry such as planning, budgeting, and managing physical
facilities.
CM 606 M.C.M. Recital: Voice (3)
Private instruction.
CM 607 M.C.M. Recital: Conducting (3)
Private instruction, in preparation for a public performance.
CM 608 M.C.M. Recital: Piano / Organ (3)
Preparation and presentation of an acceptable doctoral recital,
and the study of additional repertoire.
CM 609 M.C.M. Recital: Composition (3)
Private instruction.
CM 621 Graduate Music History Review (3)
CM 635 Graduate Music Theory Review (3)
CM 695 Church Music Internship (3)
CM 800 Midwest Ensemble (3)
Midwest church music students' choral dedication for School
chapel services and other School activities. Required until graduation.
CM 803 Church Music Administration
(3)
An in-depth study of the philosophical and theological foundations
of church music with emphasis on the development of analytical skills
in selecting, evaluating, and administering in the music ministry,
so that the student will be able to establish his/her own comprehensive
and consistent perspective of church music.
CM 810 Advanced Study in Music in Worship (3)
An in-depth study dealing with aspects and problems in worship,
biblical and historical bases for solving problems, and discussing
current issues in music in worship.
CM 812 Special Research in Korean Church Music (3)
CM 825 Special Research in Music History (3)
CM 827 Advanced Study in Hymnology (3)
An in-depth study of hymnology with the goal of developing
analytical skills for texts and music in worship based on biblical/theological
foundations, and of evaluating worship songs to discern relevance in
their content, style, and function for the worship.
CM 834 Special Research in Music Theory (3)
The research and writing of a substantial paper or other
project chosen in consultation with the instructor.
CM 840 Contemporary Issues in Church Music (3)
CM 853 Special Research in Music Analysis (3)
CM 861 D.C.M. Applied Area I: Voice (2)
CM 862 D.C.M. Applied Area II: Voice (2)
CM 863 D.C.M. Applied Area III: Voice (2)
CM 865 Advanced Voice Pedagogy (3)
CM 867 D.C.M. Recital: Voice (3)
Preparation and presentation of an acceptable doctoral recital,
and the study of additional repertoire.
CM 871 D.C.M. Applied Area I: Conducting (2)
CM 872 D.C.M. Applied Area II: Conducting (2)
CM 873 D.C.M. Applied Area III: Conducting (2)
CM 875 Special Research in Conducting (3)
Three hours credit granted upon completion of assignment.
CM 877 D.C.M. Recital: Conducting (3)
Preparation and presentation of an acceptable doctoral performance.
CM 881 D.C.M. Applied Area I: Piano/Organ (2)
CM 882 D.C.M. Applied Area II: Piano/Organ (2)
CM 883 D.C.M. Applied Area III: Piano/Organ (2)
CM 885 Advanced Piano/Organ Pedagogy (3)
CM 887 D.C.M. Recital: Piano/Organ (3)
Preparation and presentation of an acceptable doctoral recital, and the study of additional repertoire.
CM 891 D.C.M. Applied Area I: Composition (2)
Advanced study in private lessons for students holding a
master's degree in composition or its equivalent.
CM 892 D.C.M. Applied Area II: Composition (2)
Continuation of CM 891.
CM 893 D.C.M. Applied Area III: Composition (2)
Continuation of CM 892.
CM 895 Advanced Study in Composition (3)
Offered on demand to students not concentrating in composition.
CM 897 D.C.M. Recital: Composition (3)
The composition dissertation is to be presented in an acceptable
public performance conducted by the student. |
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